Showing posts with label Michael. Show all posts
Showing posts with label Michael. Show all posts

Tuesday, August 25, 2009

Billy versus Rumsy

August 7, 2002

My Bedroom

Atlanta, Georgia

Wednesday morning begins at 3am. My cell phone is going off. Michael” glows on the screen. I hit “answer” and then clear my throat into the receiver to let him know that (A) I was there and (B) that he had had woken me up.

MICHAEL: It’s three in the morning. Do you know where your superkid is?

It takes me a second to realize what he’s said and then I’m instantly awake.

ME: What?

MICHAEL: Turn on your television.

I scramble for the TV remote and flick on the television.

ME: What’s going on?

The screen fades on and I’m treated to a series of aerial view of the White House.

MICHAEL: It’s on every station.

ME: What’s going on?

The news anchors aren’t able to make sense of it and neither am I. The secret service have flooded the lawn. The army is filling the street. Beyond them, the media. Spotlights from circling helicopters bob through the early morning, and are roughly intersecting at the same point thirty feet above the ground. Floating over the rose garden, facing the Oval Office, is Billy.

This is me speechless.

The cell phone vibrates and “BILLY” appears on the screen.

ME: Michael, I have to take this other call.

MICHAEL: What?

ME: Call ya’ back. Billy?

BILLY: Tim! I would have called you sooner but . . .

ME: What’s going on?

BILLY: I am about to give you the exclusive of a lifetime.

ME: Billy, you either need to get out of there fast or you need to land now. You’ve got a lot of guns pointed at you right now.

BILLY: You can see me?

ME: You’re on every channel.

BILLY: Really?

ME: You’re floating outside the Oval Office. ESPN and the Home Shopping Network are covering this.

BILLY: Cool.

ME: Not cool. What are you doing?

BILLY: Getting some answers.

There’s a scratching, a ruffling, and a soft THUMP and I know Billy’s dropped his phone into his pocket. The sounds from outside are muffled but discernable.

BILLY: Dubya! I’m lookin’ for Dubya! Duuuuubya! Come out, come out, wherever you are!

When the Secret Service finally decide to shoot him out of the sky, I wonder if they’ll broadcast it?

BILLY: Dubya!

VOICE: Land!

BILLY: Dubya!

VOICE: Land!

BILLY: Mister President!

VOICE: Son, you need to land it RIGHT NOW!

My lips and tongue are dry. I’m breathing through my mouth in anticipation as I watch Billy on TV. He’s looking down at the secret serviceman who’s just addressed him. He turns away, tries to peer through a window of the Oval Office, and the nods. He lands softly on the grass. Nobody moves. Billy laughs and I realize, a split second after he does, that everyone’s scared of him. One of the secret servicemen later tell me “what if he exploded when we shot him? We didn’t know what he was!”

BILLY: I’m here to see the President.

VOICE: Keep your hands where we can see ‘em.

BILLY: I don’t have an appointment, but I’m sure he can squeeze me in.

VOICE 2: Get ‘em inside. The media’s loving this.

I watch as they take Billy away. He’s led out of the sight from the cameras. As soon as he’s gone, the anchormen, women, and their correspondents start theorizing what’s going on and “what this means” for the rest of us.

I turn the TV off, slide off the bed, and sit on the floor, leaning against the bed. All I can hear is the ruffling and scratching of Billy’s pants. Someone’s saying something, something I can’t quite make out, and then I hear patting. They’re frisking Billy. The cell phone’s pulled out of Billy’s pocket.

VOICE: What’s this?

BILLY: That’s my cell phone.

VOICE: Who’s this?

I don’t say anything. I have nothing to say.

BILLY: Can I have that back?

The phone is snatched and then dropped back into a pocket.

BILLY: Can I see the president now?

VOICE: You can see me.

BILLY: Who the hell are you?

I gasp and then laugh. Billy doesn’t know who he’s looking at, but I recognize his voice instantly.

RUMSFELD: I’m Donald Rumsfeld.

BILLY: Okay?

RUMSFELD: I’m the Secretary of Defense.

BILLY: Where’s Dubya?

RUMSFELD: Show some respect.

BILLY: Respect is earned. What has he done lately? And for that matter, what have you done lately?

RUMSFELD: If you were anybody else, you’d be dead already, you know that?

BILLY: Yeah, and I’ve got a problem with that.

RUMSFELD: You’re just lucky America loves you so damn much.

BILLY: What? And by “what” I mean, “what?!

RUMSFELD: You know how many men have died approaching the White House unannounced?

BILLY: No –

RUMSFELD: A fair share.

BILLY: Noted. Can we go back to the implied preferential treatment I’m receiving?

RUMSFELD: If we must.

BILLY: I don’t think I like you.

RUMSFELD: I’m crushed. Really. Your opinion matters so much to me.

BILLY: May I please speak to the President?

RUMSFELD: No.

BILLY: Why?

RUMSFELD: Whatever you came here to say, you can say it to me. Or you can piss off.

A moment of silence. I imagine Billy unhappily weighing his options before nodding.

BILLY: Fine. What is going on?

RUMSFELD: You’re going to have to be a little more specific.

BILLY: I can fly, Mister Rumsfeld. I can fly fast. Why isn’t the army using me? Why am I not being sent out on recon missions or . . .

RUMSFELD: Your duty is not to ask questions.

BILLY: Yeah, I get that. But men are dying, Rumsy. The whole reason I joined, the whole reason I went over there, was so that I could help. I could be saving lives. I could be providing distractions or providing air support. Give me an automatic rifle or grenade launcher and watch the chaos I could reap.

RUMSFELD: And what happens when you get shot outta the sky?

BILLY: I pray someone catches me, I don’t know.

RUMSFELD: You have any idea how demoralizing it would be for America to watch you fall outta the sky?

BILLY: Wait . . . wait, wait, wait. You’ve been keeping me out of combat?

RUMSFELD: You’re a symbol of hope, kid. We don’t want to lose you.

BILLY: I’m a publicity stunt? Friggin’ P.R.?

RUMSFELD: It’s what we need.

BILLY: Why didn’t you tell me?! Why didn’t you say so?! Instead of training me and making me think I was going to be fighting? You could have just said, “Billy, this is what we need,” I would have done it!

RUMSFELD: You did do it.

BILLY: Against my will though, man. Geez.

RUMSFELD: So what do you wanna do? You wanna go back or what?

BILLY: I’m not your puppet. I’m not your dog and pony show. I’m not your distraction.

RUMSFELD: Fine. We’ll honorably discharge you.

BILLY: I want more than that.

RUMSFELD: What? You want a medal?

BILLY: I want an expense account.

RUMSFELD: What?

BILLY: I can make a difference. I can do things. I can do things other people can’t. I can do things other people won’t. But I can’t do it if I have to work some nine-to-five name tag job. So you’re going to bankroll me.

Rumsfeld laughs.

BILLY: You’re going to give me a limitless credit card so I can afford to be the symbol of hope that this world needs. And you’re going to foot the bill.

RUMSFELD: You’ve got a wild imagination, kid.

BILLY: No, I’ve got CNN on the line. And I’m sure they’d love to know that you and Dubya would rather me be your dog and pony show than be on the front line saving the lives of brave young Americans. Can you imagine that scene? Can you imagine the public response to Billy Hughes – a hero of 9/11, the boy that might be an angel, the boy who can fly, the boy who was surely sent from God? Can you imagine that young man going on the news and saying, “I wanted to fight terrorists. I wanted to use this ability I’ve been given to fight and find Bin Laden. I wanted to fight and fly for freedom. But the White House lied to me. They wouldn’t let the generals put me into action. They chose my life over the lives of Doug Drifmeyer and Conrad Melancon – just to name two.” What do you think the media response would be to that?

RUMSFELD: You’re going to extort the White House?

BILLY: Is that the same as black mail?

RUMSFELD: Yes.

BILLY: Then yes. Whattaya say?

I’m shocked by the silence that follows. Rumsfeld is taking this proposal seriously!

RUMSFELD: We’ll get back with you . . .

BILLY: You’ll tell me now or I go out there and hold an impromptu press conference. Tell the world how your pride and ineptitude is getting people killed.

It’s not quite silence that follows. It almost sounds like someone’s growling.

RUMSFELD: If the president needs you . . .

BILLY: What, for a photo-op? Screw that. If he needs me to do some good, he can call me. Otherwise I’m going to go out there and change some lives. Here . . . is . . . my mailing address. If a super-duper platinum or adamantium card doesn’t arrive in the next seven weeks, I go public.

RUMSFELD: But . . .

BILLY: See ya’ Rumsy.

Glass shatters and I know Billy has just flown out the nearest window. He laughs excitedly, proudly, and then hoots.

BILLY: Call me when it arrives, Tim.

And then he hangs up on me, before I can say anything. Three days later, an envelope is delivered to my house with “BILLY HUGHES” written across it. I open it. It’s Billy’s credit card, as he requested. It has an American flag on it.

Thursday, July 23, 2009

Butterflies (Billy goes public)

September 25, 2001

Rooftop of the CNN Center

Atlanta, Georgia

The cameras and the recorders click on. I’m standing on the middle of the rooftop. Brian and Nick, my cameramen, are setting up. I’m speaking into a walkie-talkie.

ME: Can you hear me? Michael! Can you hear me?

I turn to my cameramen.

ME: Do we have a boom mic or a handheld?

BRIAN: I’ve got a lapel.

My walkie-talkie squawks.

MICHAEL: Roger that.

ME: You can hear me?

MICHAEL: Loud and clear.

ME: Can you hear me on the rooftop mics?

MICHAEL: Like you’re standing next to me.

ME: Excellent! Tell Richard we’re ready as soon as . . .

BILLY: Look out below!

Everyone looks up. There’s a muffled chorus of surprise from Nick and Brian and Billy lands with a profound THUD.

BRIAN: Holy crap!

NICK: He . . . he . . . he . . .

BILLY: Sorry. Didn’t mean to scare ya’.

BRIAN: Holy crap!

ME: Billy!

BILLY: Hey, Tim.

MICHAEL: Five minutes, Tim.

BILLY: Five minutes? We’re doing this in five minutes?

ME: Yeah, you’re cutting it a little short.

BILLY: Oh man . . .

Billy starts exhaling long, deep breaths. He’s shaking his hands from his wrists.

ME: You okay?

BILLY: How many people watch CNN? Everybody?

ME: It’s going to be okay. It’s just you, me, Brian, and Nick.

BILLY: And the bossy walkie-talkie.

There’s a soft CLICK as I turn the walkie-talkie off.

ME: Now it’s just us. Here’s how it’s going to go. I’m wearing an ear piece. They’re going to cue me when it’s time to start the interview. I’m going to introduce you. And then you’re going to fly from over there and you’re going to land right here beside me. Make it look nice. Graceful, like an air-ballet. Land like Superman. This is the first time the world’s going to see you. And I want them to see you. I want them to see you fly, I want them to see you land, and I want them to see you smile.

BILLY: Okay.

ME: And then it’s just going to be me and you. We’re going to talk.

BILLY: Okay . . .

ME: Be relaxed. Be yourself. If you want to be funny, be funny.

BILLY: What are we going to talk about?

ME: Same things we talked about on Sunday. Who are you? What do you want to do? People saw you on September 11th. What were you doing? What have you been doing since then?

BILLY: I did some work at a soup kitchen in . . .

ME: Save it for when we’re on air.

BILLY: ‘Kay. Where are your sound people? Aren’t there supposed to be sound people?

ME: After Michael – he’s the man with his foot on my neck – saw the security footage of you landing here and flying off, he installed microphones and motion sensors all across the rooftop. He wants us to conduct all our future interviews right up here. As soon as you land, the mics and the cameras will kick on.

BILLY: Really.

ME: Yep.

BILLY: Sneaky, sneaky.

ME: So anytime you’re on this rooftop, everything you say and/or do will be recorded. That’s why you don’t see any mics – okay, that’s the two minute warning. Why don’t you zip over to that building. I’ll wave you over.

BILLY: Okay . . .

ME: Hey. It’s just me and you. There’s no-one else. It’s just me and you talking.

BILLY: ‘Kay.

Billy flies off. I tighten my tie and check my cuffs. The voice in my ear piece counts down and I hear the in-studio transition. Brian and Nick scuttle closer to me. They’re swaying under the weight of the handheld cameras. I smile big.

ME: Thanks John. Tim Craine here, on the roof of the CNN Center. I’ve left the comfy confines of our studio to introduce you to one extraordinary young man . . .

The rest can be seen in the CNN archives, on YouTube, or any of the dozens of documentaries that have been made about the boy.

9/25/01 – Billy goes public

TC